[SHARE] Avid Media Composer v 5.5.2

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Avid Media Composer v 5.5.2







Avid Media Composer - the preferred choice for top-level professionals involved in the production of film and video, and for independent producers, and for the new post-production. A great tool for creative work: support for tapeless production technologies, work with any format, multikamerny HD editing and much more. Great combination with the freedom to choose different options for systems of Avid Media Composer, which is best suited to the different projects: from an autonomous system with the software without additional hardware support to a complete hardware-software Avid Media Composer / Avid Digirtal Nonlinear Accelerator (Avid DNA) .



Avid Media Composer - The world's most powerful film and video editing software. If you're a creative editor, you want an editing tool that not only makes storytelling simple, but helps you track your project, organize your media, and pull you through the trouble spots. That's why so many professionals trust their best ideas to Avid Media Composer. Unsurpassed creative tools, rock-solid media management, and the highest quality effects and output make Media Composer the most powerful editing solution available.



Software Avid Media Composer does not depend on additional external hardware is designed for film and video editing. Media Composer is used when creating the majority of films, television shows and commercials in modern film and video industry.



Among the new features:

� Support for the codec QuickTime, including Apple ProRes, and H.264

� Support RED R3D format without transcoding

� Digitizing RGB 4-4-4 (via Dual Link SDI on NitrisDX) and subsequent installation in this format

� Support for Matrox MXO2 Mini Monitoring

� Work with stereo sound on the timeline as a single master clip

� Audio support RTAS plug-ins

� Further improvement of the interface

� Support for XDCAM proxy

� Import of AVCHD, AVCCAM and NXCAM



Features

Intuitive, integrated into the Media Composer system of media management. Effective tools for pruning. One-step color correction. Image stabilization. Working with an alpha channel in real time. Treatment of 16-bit AVX effects. No other application does not have the feature set and such functionality, which offers Media Composer.



Installation of different formats on one timeline

Combining in one time-line HD, SD, DV, kinoformatov and permits, as well as Avid AVR and Meridien JFIF without rendering, transcoding, or re-digitizing. Editing DVCPRO HD and HDV without rendering. Multicam editing in real-time HD, SD and DV video. Support 24p. Ability to capture 24p in IEEE-1394. Avid Media Composer is compatible with the environment Avid Unity and Avid Interplay.



Support for Sony XDCAM and Panasonic P2

Save your time! Now in Avid Media Composer, you can be assembled material from Sony XDCAM and Panasonic P2 without predzahvata. Support for Sony XDCAM includes the installation of copies of a low-resolution, DV and IMX in high definition.



Avid DNxHD encoding in

If you're working with HD, then you need the industry's first codec HD - Avid DNxHD, which allows you to keep the original quality HD images one by one when the bandwidth is comparable to SD. The new format Avid DNxHD delivers incredible quality of high resolution and maximum savings amount of disk space, providing the opportunity to work with the project in HD between several workstations. The flow rate of 145 Mbps (with 8-bit video at 4:2:2) and 220 Mbps (with 10-bit video at 4:2:2) at a resolution of 720p and 1080p / i.



10-bit color correction in real time

Avid Media Composer has an effective color correction tools, technology-based Avid Symphony. One click of the mouse you can analyze the colors and make color correction of the entire sequence.



Image stabilization using the SteadyGlide

Now you can automatically stabilize the footage, which, for whatever reasons, such as camera shake, become unfit for use in the project. As a result you will significantly save your cost and time to work.



FluidMotion

With the help of FluidFilm you can create slow motion effects and "fit-to-fill" (stretch to the desired length) from any video using patented pixel morphing. Speed ??control and regulation is carried out using key frames are set on a curve. You can also make your 30i footage 24p or video form with function FluidFilm.



Record 4 channel surround sound through a microphone

Record 4 channel sound directly to the timeline, without spending time at capture and mounting material. During the dialogue or narration, you can record on a time line of several voices, which will greatly reduce the time to voice acting.



Watching videos in full screen mode via DVI output

Now you can output SD and HD material in full-screen mode on the LCD monitor, using a standard DVI connector.



Professional tools to work with film

Each system has built-in Media Composer Avid Film Composer metadata management. The seizure of material from 24p to 25p in real time, as well as automatic synchronization of video and audio sources. Also, when working with film there are additional metadata such as: Timecode, KeyKode, DPX, VXF and UNC.



Excellent media management

Quick and easy ordering, counting and localization of media sources. Move and rename clips without losing links, as all events are automatically updated. Intuitive, customizable media management features are built into the mounting medium Avid and designed specifically to work with cumbersome and complex projects.



Key features of the software Avid Media Composer

� Ability to mount and work with the effects for 10-bit SD and HD video

� Universal library of codecs for simultaneous operation with DV, IMX, SD and HD material on a single timeline.

� Support work with DVCPRO HD and DVCPRO 50 without any additional conversion (capture / output over IEEE 1394)

� Support for working with HDV without rendering

� Up to 11 streams of uncompressed SD video (more streams possible at lower resolutions)

� Ability to work with the digital negative (DI) in the off-line mode

� Support for AVX 2

� Mode switch quality to ensure maximum productivity

� Optimization for multi-station



Installation options

� Work with videos having different resolution, at one time-line

� Multicam editing in real time (9 sources SD, 3 sources HD)

� The SteadyGlide, providing the Motion Tracking (tracking of the movement), and Stabilization (Image Stabilization)

� Compatible with ABVB AVRs and Meridien JFIF

� Consolidation and transcoding media in different resolutions

� 24 video and audio tracks (unlimited video layers via opportunities to work with several sequences)

� 24 track MetaSync

� Tool Kit Film Composer

� Application of uncompressed effects regardless of the resolution of the video

� The effect of "audio dissolve" in real time

� Supports 4:3 and 16:9

� Breakdown of DV material into scenes

� Working with long GOP sequences